Dizzy Dubs wrote:
> Wasn't meant to be followed. Target shooting with a blindfold.
That's now my go-to excuse.
> I have a DZ 50-200 + 1.4TC on my E-5 body within reach...
I've got Michael's old E-3, 12-60 SWD, and 50-200 SWD sitting here
next to me. While there are other cameras in the harem that are better
at may things, I do like this combination for the grab-n-shoot
responsiveness. It's just always ready to shoot. Flip the power switch
on and by the time you get the camera to your eye it's ready to shoot.
> I got to play a little bit with my son's A7iii when he was home in May.
> I'm a little more intrigued by the machinery than lens stuff at the
> moment. He really knows how to make videos with that thing:
I like my A7ii some of the time. It's a fine camera and takes
excellent photographs. But it isn't like that small child that looks
up at you with those puppy dog eyes and says "pick me up?" Olympus has
somehow managed to capture that feeling with their cameras.
AG Schnozz
>
> https://vimeo.com/563416917
>
> Very hard to break into this area since every person with a phone and insty
> account is a "videographer." He gives away a lot of work right now to
> build a portfolio. It's ironic because he pumps me for information on how
> to do still photos. I've thought about trying to find him a copy of Galen
> Rowell's "Mountain Light", especially since he lives in Denver now, but I
> don't want Rowell's pontifications about still vs. video/film to put him
> off his craft. I guess he's a big boy and can make up his own mind. He
> seems to be very good with ProPresenter and would like an editing job. Of
> course, if you're good at that, you make it look like nothing was done at
> all. Only a good editor himself can really see it. And there we are at
> the present time. It was ever thus.
>
> Thanks Mike, Moose, and Wayne.
>
> Joel W.
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