John Hudson wrote:
>
> -----Original Message-----
> From: Barry B. Bean <bbbean@xxxxxxxxxxxxxx>
> To: olympus@xxxxxxxxxxxxxxx <olympus@xxxxxxxxxxxxxxx>
> Date: Friday, May 28, 1999 7:56 AM
> Subject: Re: [OM] OT about punching up colors
>
> >On Thu, 27 May 1999 21:17:37 -0700 (PDT), Acer Victoria wrote:
> >
> >>Hmm, sorry for being offtopic here, but any idea how to get vibrant color
> >>prints? Film suggestions from fellow OMers who may have tested out
> >>differnet emulsions? (for reference, I mean stuff like that's in _NG_.
> >>There's LOTS of grain, so they must use high speed film, perhaps pushed,
> >>but then, speed is inversely proportional to color (right?). Or do they
> >>use slides, scan it, manipulate it and print it?)
> >
> >To the best of my knowledge, everything in NG is slide. But for
> >Velvia-like prints, try Agfa Ultra 50. Beeyootiful colors, very fine
> >grain, and great sharpness.
> >
> >BBB
> >-
>
> I shot two or three rolls of Ultra 50 of the autumn colours in south eastern
> B.C. last year. Not one photo closely resembles the intensity or colour
> saturation of the scenes being photgraphed! Unless one is looking for
> extreme over colour saturation almost to the point of absurdity one might do
> well to consider another colour negative film.
>
> jh
Ooops, if Ultra 50 is neg film, I'll leave it be. Don't take my
KFchrome away.
George
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