Le 27 avr. 2014 à 15:21, Chuck Norcutt <chucknorcutt@xxxxxxxxxxxxxxxx> a écrit :
>
> On 4/26/2014 9:32 PM, Moose wrote:
>> I can make each one the crop I want, and in batch downsizing/print
>> sharpening in FastStone, the rest of the page is filled with black. I'm
>> not stuck with any particular proportions.
>
> I'm surprised that you do sharpening in FastStone. I'd have thought you
> demanded something more sophisticated... whatever that might be.
> BreezeBrowser does that stuff if you ask it to make "proofs". I've assumed
> that Bridge and Lightroom probably do the same but haven't checked it out
> since I haven't come to love Bridge yet and have never even tried Lightroom
> (despite owning the last 3 or 4 versions). Lightroom always stops me cold
> when it tells me it wants to make a catalog.
>
The catalog is just like your wine-cellar book - the bottles are not affected
by what's written in the book ...
Hope this helps ;-)
Amities
Philippe
>>
>> In any case, one advantage of this kind of book making is that I make
>> one, and can see if there are changes needed for the next 'printing',
>> where I get more than one more. So I would be interested in knowing
>> which ones 'push up against each other'. Where I realize you've seen
>> something I didn't see, eyes bleary and mind weary with finishing up
>> processing, downsizing and organizing 80 images, I can make adjustments.
>
> Almost all of the images on adjacent pages "push up against each other" in
> the on-line preview. The notable exceptions are where portrait and landscape
> orientations face each other on adjacent pages. There's no page number
> reporting so I haven't kept track of them. The very first instance is images
> 3 and 4 following the bridge with reflection. But now I'm curious about why
> you asked since you've said the actual book won't look like that.
>
> Chuck Norcutt
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