Art books and magazines and newspapers are sold in stores and the pix are
'editorial'.
With the 'decisive moment' I was referring to Bresson style street pix. I'm
reminded of the motor racing guys who used to focus on the curb on a bend and
wait for cars to hit that point.
Andrew Fildes
afildes@xxxxxxxxxxxxx
On 08/05/2011, at 1:36 PM, Ken Norton wrote:
>> Depends what you mean by 'commercial project'. If it is art or editorial,
>> you wouldn't need releases and the definition of editorial is pretty broad.
>
> This is for a book to be sold in stores. No editorial or public venue
> leeway there.
>
>
>> This sounds like a community project book of some sort and so releases would
>> be moot.
>
> Nope. Private-for-profit business venture.
>
>
>> HCB notwithstanding, isn't that the way that all good photogs used to work?
>
> No. I don't think so. A staged photograph may have a "decisive moment"
> when you just happen to have all the pieces of the puzzle come
> together at once, but really that's still a result of carefully
> creating it, not just responding to it. In reality, I'm kinda
> ambivilant about this whole concept of the decisive moment. On one
> hand, I agree with you, but on the other, well, my own personal
> experience points to the possiblity of its existance.
>
> Regardless, it's all good.
>
> AG
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