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Re: [OM] Narrow DoF and FourThirds

Subject: Re: [OM] Narrow DoF and FourThirds
From: "Jim Nichols" <jhnichols@xxxxxxxxxxxxx>
Date: Thu, 6 May 2010 12:48:22 -0500
Beautifully done, Ken.  You handled the difficult stage lighting much better 
than I would have expected.

You are making a case for my favorite choice:  Prime lenses on a 4/3 body 
unless DOF must be increased.  If so, go to the ZD 14-54.

Jim Nichols
Tullahoma, TN USA
----- Original Message ----- 
From: "Ken Norton" <ken@xxxxxxxxxxx>
To: "Olympus Camera Discussion" <olympus@xxxxxxxxxxxxxxxxx>
Sent: Thursday, May 06, 2010 12:37 PM
Subject: [OM] Narrow DoF and FourThirds


> OK, we've all said it, we've fought it, and we've been tempted to go
> full-frame because of it. That's right, it's the DoF and selective
> background issue with FourThirds.
>
> Personally, I maintain that it's optics more than format--even though 
> format
> does help matters as seen in the Bokeh Guitar photograph. Today, I've 
> posted
> a new photograph on Zone-10 taken with the Zuiko 50/1.4 mounted on the
> Panasonic L1.
>
> Things to note:
> 1. Metered by hand with the Sekonic L508
> 2. White-balance manually set for the stage lighting
> 3. Shot at around F2.8 to fatten up the DoF as it was too narrow wide-open
> and she was moving so I needed to cover for focus slop in tracking the 
> point
> where the bow met the strings.
> 4. In-camera JPEG. Resize only. Absolutely no PP done to the image.
> 5. The purple is the LED background stage lighting.
> 6. I think that was at ISO 800.
>
> A several personal thoughts about this:
> 1. The L1 is an extremely fine camera which met and exceeded my every
> expectation--but that was already established in other posts.
> 2. Thinking ahead and using an incident light meter allowed me to avoid
> bracketing safety shots and resulted in a perfectly exposed instrument. A
> good thing, as I metered for the OM-3Ti first and then moved the lens and
> same settings over to the L1.
> 3. The 50/1.4 is a blast to use.
> 4. The same settings (or as close as possible) on the 14-50 zoom lens
> resulted in a substantially different picture--one which confirms the
> general opinions about crop-sensor cameras.
>
> As always:
>
> www.zone-10.com
>
> AG (sometimes not AG) Schnozz
> -- 
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