We're using Sensia to photograph paintings for local artists. Most
artists request digital now, but one recently required slides for his
portfolio to go into the School of Visual Arts in NY. No particular
reason for this film choice other than that is the film Lisa used when
she did the work.
___________________________________
John Hermanson | CPS, Inc.
21 South Ln., Huntington NY 11743
631-424-2121 | www.zuiko.com
Olympus OM Service since 1977
Gallery: www.zuiko.com/album/index.html
Fernando Gonzalez Gentile wrote:
> I'm far from Boston, but E-6 can be developed here at two levels of quality:
> 1. standard quality, which I find fairly good.
> 2. high quality & rather expensive, at a special Lab by Carlos Porro in
> Montevideo. He does any kind of B&W too. He does not mount the E6
> transparencies, even if you ask him for.
>
> I feel curious about something: just went to B & H, and they do stock
> many types and sizes of Velvia. How is it possible that a pro Fuji film
> is sold but difficult to have it developed there in the USA ??.
> I was about to buy a pack of 135mm Velvia 100 in December - no doubt I
> will be able to have it developed and mounted in standard quality here
> in town.
>
> I recently read John had to use Sensia 100 for some work - I didn't
> search all B & H film stock, but wouldn't be surprised to find Asta,
> Provia and Velvia. Why could he prefer Sensia ? - John, why did you
> prefer Sensia ?? :)
>
> Fernando.
>
> WayneS wrote:
>> I need a recommendation for sending off my camera's multi-sensor
>> for proper E-6 processing. I don't want it mounted, but would like
>> the best processing I can get. Any suggestions or experiences?
>> I'm near Boston.
>>
>> Thanks
>> WayneS
>>
>
>
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