And while you're there, you couldn't ask if they've got anything like
the exquisite piece of Orobouros egg-yolk yellow opal I picked up a
few years ago and haven't been able to get again, could ya.....just
so long as it's not the radioactive version!
AndrewF
At 12:27 AM 8/11/03, you wrote:
On Sunday, August 10, 2003, at 11:03 PM, John A. Lind wrote:
John -
Kokomo IN??? Is this not the historic stained glass factory whence
Tiffany obtained most of his raw material for leaded glass
production??? Are you writing a text to go with this?
Appreciatively,
Bill Hunter
One and the same.
They now have a "hot glass studio" in the back where some of the
color work I did was cannibalized for the "torch" tutorial. The
IU-Kokomo Gallery will be exhibiting some hot glass artwork from the
hot glass studio and some personal works from the artists that work
there. The show opens at the end of September.
I was asked to do some documentary photography of the hot glass
studio and the sheet glass manufacturing for an educational section
of the gallery. As a part of the "deal" for the documentary
photographs a few of the more "artistic" ones I've done in the
process will be exhibited with them as well.
The text will be written by the artists for the hot glass studio
photos and someone else connected with the opalescent sheet glass
will write up some text for the B&W's. What you see on the page
will be chopped down to about five for documenting the basic sheet
glass operation. I've tagged four "artistic" ones from the lot
also. The hot glass studio's color photos will edited down to about
ten to twelve documentary shots covering various methods of
manipulating hot glass (including casting) plus two or three
"artistic" ones.
-- John
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