Ahh, that's an easy nut to crack....what you need is multiple camera
bodies. See: one for your slow, fine-grained b/w, one with that superfast
3200 ISO Ilford Delta, one for that Delta 100 or T/Max. That was the
b/w. Of course, less than three for prints cannot do either, if you
want to balance grains/saturation/color/speed. And for slides...well, I am
a beginner in the game of slides, but it seems that one for the
Kodakchromes is a given and it seems that people have the opinion that
there are two good, but different, fuji's to use also.
That's nine bodies - then come infrared....
I'd say that 10 bodies are a bare minimum....of course, they have to come
with Winder2/Motordrive2's and the inevitable 24/2+85/2 combo too ;)
How would you be a true zuikoholic otherwise? ;)
Best regards
--thomas
On Tue, 1 Jan 2002, Olympus wrote:
> Ok, I'm about to head out for a "Grandma's cooking, grandkids invited only"
> luncheon..
>
> Here's the question I have for you all. When I was on vacation in taiwan,
> they only sold rolls of 36 in taiwan, there are no 24's, but since I was
> clicking away like an idiot, I was happy to buy longer rolls, so I don't
> have to change as often.. But now, I'm stuck with half a roll of 36 left in
> my camera of Fuji Superia, to shoot an indoor luncheon.. arrrg...
>
> So the 24 shot roll offers a better chance of finishing up a roll so I can
> change to something else, but the 36 is a little bit less film to carry when
> I'm on vacation..
>
> I'd like to hear your preferences and the justifications (if any)..
>
> Albert
>
> FUD Dispell:: Someone told me pictures taken from a 36roll is worse quality
> than a 24, because of the roll size?? I can't imagine this being true??
> Someone dispell this FUD for me?? Thanks.
>
>
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