On Mon, Jun 27, 2022 at 4:07 PM Moose <olymoose@xxxxxxxxx> wrote:
> On 6/26/2022 6:37 AM, DZDub wrote:
> > On Sat, Jun 25, 2022 at 11:19 PM Moose <olymoose@xxxxxxxxx> wrote:
> >
> >> Perhaps mis-assumption here. With this kind of subject, I almost always
> >> process subject and background separately.
> >> Otherwise, indeed, the background usually goes wonky before the subject
> is
> >> where I want it.
> >>
> > I must say, I wondered if this was not the case, and I am not surprised.
> > Relieved actually. Didn't see how it could be otherwise.
> >
> > Seat time at the computer yesterday yielded something hopeful. The
> camera
> > has a more subdued picture mode called "Muted". It might always have
> been
> > there in Oly menus, but I've never used it. I mean why would I? Sounds
> > terrible. OMW mimics menu settings, so whatever I have selected in the
> > camera I can change when the ORF arrives in OMW. Muted, combined with
> exp
> > comp, combined with some tugging to the left on the OMW saturation slider
> > is giving me some acceptable results.
>
> Not useful for me. At the moment, I'm doing "serious" shooting with PL
> 12-60 on GX9 and Oly 100-300 on OM-1 around my
> neck. Sometimes, I also have a Panny with 7-14 on a belt clip or Sony with
> 10/5.6 along.
>
> So a converter that makes them all more or less match is important to me.
>
I'm glad that you've got a system in place to manage it all.
I'm knocking wood as I mention it, but I should receive a mZ 100-400 from
Japan yet this week. I'm sure we'll have more
--
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