Hi Moose,
I stand corrected on the stops however 7-14 is 14mm - 28mm equiv and
fuji 10-24 is 15mm -35mm is that not similar? I loved the 7-14 for 4/3
but only accepted the panasonic 7-14 for m4/3 not sure why as it was a
good lens but for some reason I can't place, it didn't gel for me - its
the same with the fuji 60mm macro. as for lens complexity design m4/3
gains on telephoto but loses a bit at the wide end.
I bought a Tough TG-4 because of the focus stacking which my wife uses
for her eye photography and after seeing your results the M5 is very
tempting - but I love the way the fujis work in my hand.
IanW - why no enabling ;-)
On 21.04.17 19:09, Moose wrote:
On 4/21/2017 5:36 AM, SwissPace wrote:
I think I mentioned before that there is a special edition titanium
om-5 mk2 in the window of my local camera shop that keeps catching my
eye and I do like like the idea of the smaller PLeica even if I lose
a stop at the far end it's worth it for the extra reach
Actually, the PLeica is only 1/3 stop slower at the long end - and
over 1/3 faster at the short end. Toss-up on speed, overall. At 600 mm
eq, 400 on APS-C and 300 on Âľ4/3, they are the same speed.
- maybe I should think about trading the Fuji 100-400 and TC 1.4 and
my canyon 5d mk2 in for that setup and I would gain focus stacking or
is it bracketing
It's "Bracketing" where combining them happens in post, on the E-M5
II, with very flexible range of settings and works with any AF lens.
"Stacking", which happens in-camera, is E-M1s only, but also close to
useless, as it only takes 8 slices and only works with 3-4 lenses. The
Columbine images I just posted are Bracketed.
On a fuji note I am very pleased with the sharpness from the 10-24 it
seems to match (or better) the 4/3 olympus 7-14
Not sure what that means, as the zoom ranges don't even overlap. 7-14
is harder to design than 10-24.
Info, Not Enabling Moose
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