I've had multiple copies of LR for 5 years or more and continue it with
CC. I just can't bring myself to love it. The first thing it does is
force me to create a library which I do not want, don't know how to use
it and don't want the overhead.
I can do the same correction to a still image using Photoshop but this
is video we're talking about. I have no idea how to fix 1000s of
frames... or even 1 for that matter. As a video problem it's probably
fairly simple since the camera was on a tripod and the area needing
correction is constant throughout.
Chuck Norcutt
On 1/2/2016 4:28 PM, Philippe wrote:
LR allows for locally applied WB correction (brush and graduated
filter) , are you using it, I mean LR?
Ph
Le 2 janv. 2016 à 20:53, Chuck Norcutt
<chucknorcutt@xxxxxxxxxxxxxxxx> a écrit :
Well done. Earlier this year I tried shooting some video with E-M5
and E-M1 of a classroom which included the students and lecture
materials on a large TV screen. The TV was clearly daylight color
balanced and the room was tungsten. The result was ugly. I could
shoot for one or the other but not both. Only after I switched
rooms to one lit well enough by daylight could I get it to come out
right.
I don't know how to solve the problem unless there's some sort of
plastic, color balancing filter that could be put over the screen
or else somehow adjust the color on the set for tungsten balance.
Anybody know?
Chuck Norcutt
On 1/1/2016 5:06 PM, Jim Nichols wrote:
Since American football is a New Year's Day tradition, it seemed
a fitting subject for my first images with the Fujinon XF 35mm
1:2 R WR lens on the X-E1.
In the first image, the University of Tennessee team is winning
over Northwestern in the Outback Bowl in Tampa, Florida.
http://www.gallery.leica-users.org/v/OldNick/DSCF2794fm.tif.html
In the second, my son, Rick, is keeping up with the world's
activities on his smart phone while enjoying the football game.
http://www.gallery.leica-users.org/v/OldNick/Rick.TIFF.html
I am pleased with the results I am getting with this lens. The
second shot was at ISO 1600, and I used no noise removal in the
processing.
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