There have been consequences to this particular button pushing, namely the
arrival at my door of a OM-D E-M1 with a 12-40 f2.8 and 40-150 f2.8. There
goes my pay rise for the whole year.
So far (both days) I'm enjoying the ergonomics of the thing, and the
absence of bulk. I took it to a cosy little gig in what used to be the
ground floor of a rather small house in South Bristol.
https://goo.gl/photos/fzALG7MPAe9e3asC8
(29 photos).
Enjoy, C&C welcome as always.
This does inevitably mean that some 4/3 kit will be heading out of the door
to help pay for it, starting with a little-used 7-14 f/4, I'm tempted to
hang on to the 14-54 and 50-200, though the 40-150 plus a 1.4x converter
will do the job of the latter without losing too many stops. I'm
definitely hanging onto the 50 f/2 macro.
Ian
--
Stand firm for what you believe in, until and unless logic and experience
prove you wrong. Remember: when the emperor looks naked, the emperor *is*
naked, the truth and a lie are not "sort-of the same thing" and there is
no aspect, no facet, no moment of life that can't be improved with pizza.
-Daria Morgendorffer
--
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