Subject: | Re: [OM] B&W Lily |
---|---|
From: | "Wayne Harridge" <wayne.harridge@xxxxxxxxxxxxxxxxxxx> |
Date: | Mon, 2 Jul 2012 14:04:13 +1000 |
An interesting technique but are the advantages significant ? My concern about this is that every additional step you introduce in the process is a source of degradation in the final image (print), e.g. can you create a negative that has the full tonal range of the original digital image file ? How large does the negative have to be to retain the resolution of the digital image file ? ...Wayne > > 'I will be starting construction of my new darkroom before too long and will > be implementing a calibrated "digital contact negative" system. What this will > allow me to do is take any digital file and make a true silver-gelatin B&W print > from it." 2/2008 > -- _________________________________________________________________ Options: http://lists.thomasclausen.net/mailman/listinfo/olympus Archives: http://lists.thomasclausen.net/mailman/private/olympus/ Themed Olympus Photo Exhibition: http://www.tope.nl/ |
<Prev in Thread] | Current Thread | [Next in Thread> |
---|---|---|
|
Previous by Date: | Re: [OM] (OM) Mon shot, Moose |
---|---|
Next by Date: | Re: [OM] (OM) Mon shot, Wayne Harridge |
Previous by Thread: | Re: [OM] B&W Lily, Chuck Norcutt |
Next by Thread: | Re: [OM] B&W Lily, Moose |
Indexes: | [Date] [Thread] [Top] [All Lists] |