Thanks, Chris. I suppose I could get rid of the fence, but it's very much a
part of the scene. In the print, you can actually read what's written on it. I
think Sfx goes down and tickles pixels at the granular level to get that kind
of effect. I have another picture from the same perspective that includes a man
taking a photo of the wave I'm photographing. I originally intended to clone
him out, but then I realized his presence showed exactly how big that wave was,
and so I left him in.
Good luck with the conversion plug-in. I think you'll like the way they work.
Be sure to post some results. <g>
--Bob
On Sep 11, 2011, at 4:03 AM, Chris Barker wrote:
> Yes, I like that one, Bob. Over-the-top? Perhaps, but only if you don't
> want the overall picture. When you start fettling images in this way, you
> are selling the viewer that image, whatever the original's appearance. I
> might quibble over the inclusion of the fence, but you might protest that it
> adds to the interest of the lines of the rock strata: it makes irregular the
> perspective and so adds interest.
>
> I've just bought Topaz Labs's BW Effects; now to get it to work in Aperture
> with Fusion Express . . .
--
_________________________________________________________________
Options: http://lists.thomasclausen.net/mailman/listinfo/olympus
Archives: http://lists.thomasclausen.net/mailman/private/olympus/
Themed Olympus Photo Exhibition: http://www.tope.nl/
|