I like the 28/2 shot best but I doubt it has much to do with the lens.
Chuck Norcutt
Nicholas Herndon wrote:
>> "Contemplating black coffee"
>> http://tinyurl.com/335lyon
>> (OM-1, 24/2.0 at f/4.0, FP4, 5x7in hand print)
>> There's a bit of a story behind this one. -snip
>
> Dawid, I saw that photo on RFF, and enjoyed it very much. Thanks for
> sharing the back story.
>
> And since you asked for some black and white photos shot with an OM
> and film, here ya go [all the negatives were developed in Diafine and
> scanned using a Plustek]:
>
> http://www.flickr.com/photos/pooroldpunch/3980950055/in/set-72157622516184758/
> (OM-2n w/ OMZ 28/2, on Tri-X)
>
> http://www.flickr.com/photos/pooroldpunch/3196301510/in/set-72157615114313784/
> (OM-2n w/ OMZ 50/1.4, Tri-X)
>
> http://www.flickr.com/photos/pooroldpunch/3986595185/in/set-72157622093119030/
> (OM-2n w/ OMZ 28/2, Tri-X)
>
> And here is a test shot from my recently acquired UG condition 100/2:
>
> http://www.flickr.com/photos/pooroldpunch/4580406656/
> (OM-2n w/ OMZ 100/2, Superia 200)
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