If you have any plans to send images to a lab for printing the lab will
be expecting sRGB. If you send them something else they'll convert it.
I think it's simply easier to start and finish with sRGB. Simplifies
your work flow and avoids conversions.
Chuck Norcutt
Mark Dapoz wrote:
> On Thu, 27 Apr 2006, Jon Mitchell wrote:
>
>>So, what do you guys all do ? What am I missing ? What am I doing
>>wrong ? Why are the images so different in PS compared to Olympus
>>Master ? Why can I not edit the Raw file in Olympus Master and save it
>>again as a Raw file ? (eg: I wanted to do the red-eye removal on a
>>couple of shots, then do the colour balance. Both these processes are
>>in different areas of the Olympus Master software, so I have to do the
>>red eye bit, then save as a TIFF, then how do I adjust colour balance on
>>the TIFF ?) Why is it taking so long ? I thought digital was supposed
>>to make photo-taking easy – at this rate I’ll be spending a full day in
>>front of the PC for every hour I spend taking photos. Not quite what I
>>had in mind.
>
>
> It sounds like you have a colour management problem. You need to ensure
> that that all your applications are aware of what colour space you are
> using. Reading a file into PS which was saved with an Adobe RGB profile
> and then interpresting it as sRGB will give incorrect results.
>
> Workflow is a very personal thing, you need to find what works for you
> and then stick to it. Once you have that down processing RAW files will
> become very quick. For me I really like the Phase One software, the
> workflow is far better than Olympus Studio. The image results aren't
> quite up to what Studio delivers, but not many raw converters are.
> -mark
>
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