Bravo! Nicely (and inexpensively) done. It's also nice to have
essentially unlimited sync speed on the camera in order to separately
control those dual inside/outside exposures.
Since I have no Minolta dedicated flash, I also use the hunt and peck
method with my Minolta A1 and OM dedicated Sunpak 522 and 422 units.
When inside a house or other small area where I can use wall and ceiling
bounce to good effect I put the 422 in the hot shoe and the 522 handle
mount potato masher flash on its own bracket. I then set the 422 for
ceiling bounce and swivel the 522 for wall and ceiling bounce. Since
these are OM TTL units I set them to their own auto mode. Since they're
controlling their own output according to what they each see they're
pretty close to correct on the first go. After that a couple of test
flashes with tweaking of the ISO dials produces nice exposures.
I could also, of course do the same thing with a BG-2 and a couple of
T-32's. However, the T-32's auto sensor points to where the flash head
has been swiveled by the BG-2 and would likely take more fiddling of the
ISO slider to get it correct. But the T-32's are king for multiple OM
TTL flash.
Chuck Norcutt
Andrew Fildes wrote:
> This weekend I really became aware of the benefits of digital for
> formal flash work. Those hyper-expensive units are only really useful
> for paparazzi work! You can do really well on the cheap.
> The problem was that a family member was selling a house and was
> unhappy with the shots that the nice man from the agent had produced
> - pro-photog with a Nikon high end and a rather wide lens. This house
> has great view but is oldish and fairly dark inside. Seller was cross
> that the vistas from the dining room were burned out almost totally
> as this is a major selling point. He is the cousin who teaches
> Photoshop but has not done any studio work since his film days. Did
> I, was the question, have anything wide enough as he didn't?
> Consider this for a rig. My tiny 8mp Ricoh GR Digital with its wide
> converter - effective 21mm perspective. Mounted on a big Manfrotto
> with his SBtwentysomething flash and Stofen diffuser on it (the flash
> was 3 times the size of the camera). Meter for the mountains in the
> distance and light up the room - bounce the on-shoe flash and two
> slave-triggered, cheap, low power mono-blocks with umbrellas (typical
> economy portable beginners kit - under $400 second hand). Laughable
> really but I know thta the GR renders flash well.
> To my amazement it worked brilliantly - everything from the leg under
> the table to the distant sunlight mountains through the window.
> Now, it occurred to me that you can use anything with a digital,
> anything at all. We just banged away until we got it right and we
> didn't have too many adjustments - the monoblocks only have full or
> half power choices. Shoot and check the histogram and zoom in on the
> display on the difficult areas. (The shadows under the table, the
> white on white cornices, the distant, blue hills).
> I just ordered up one of those Sunpack slave brackets for use with
> any old manual flash, plus a new Sunpak shoe mount flat panel flash
> 'cos I've realised that if you are using a compact, even an Oly one
> like an 8080, you can trial and error it like mad and use any old
> flash rig that you can cobble together. Remember when we used to use
> Polaroids to check flash?
> He was so pleased that we went off and reshot the bathroom and
> bedroom as well. Great.
> Free at last of the fear of flash!
> AndrewF
>
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