>Digital is
>between these two film types and attempts to capture a linear
>response down to the point where sensor noise is the limiting
>factor. Better cameras, such as the E-1, will fudge a fake toe
>to give you the feeling of a gentler transition between Dark and
>Pure Black, but it does so through the stretching of the
>midtones.
>
The last sentence: "Better cameras, such as the E-1, will fudge a
fake toe" refers to the JPEG engine in the camera, not to raw capture
itself, right?
Bernard
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