Bob and I did several tests with the 16, 18, and 24-shift and the 24-shift blew
them away with it's superb resolution. (These tests were with scanned film,
not a DSLR) My conclusion was if you're shooting architecture, an ~18mm lens
corrected with software (and I used very, very good software) DOES NOT measure
up to a dedicated shift lens.
Skip
>
>Subject: [OM] Re: can your digital do this?
> From: gries@xxxxxxxxxxxxxxxxxxxxxxxxxxx
> Date: Mon, 2 Feb 2004 17:48:08 -0600
> To: olympus@xxxxxxxxxx
>
>C.H.:
>
>I haven't seen a convincing print of an image after it has been 'shopped to
>get the perspective right. I do think that it will soon be possible, but for
>now I'm sticking with film. Besides, I'm a sucker for a good slide show. ;)
>
>Do you have any examples to share regarding the DoF for other lenses?
>
>Thanks!
>Bob
>
>------------------------------------------------
>On Tue, 3 Feb 2004 07:21:46 +0800, "C.H.Ling" <chling@xxxxxxxxxxxxx> wrote:
>
>>
>> 1. For digital you can save a shift lens, it can be done by software easily.
>> You may need to put the money for a decent super wide though if you don't
>> own a full frame DSLR.
>>
>> 2. With a 50/1.4 or 85/2 etc, the DOF is shallow enough with a 1.5x or 1.6x
>> lens factor DC.
>>
>> Film is still better in resolution, especially edges resolution for wide
>> angles.
>>
>> C.H.Ling
>>
>> ----- Original Message -----
>> From: <gries@xxxxxxxxxxxxxxxxxxxxxxxxxxx>
>> To: <olympus@xxxxxxxxxx>
>> Sent: Tuesday, February 03, 2004 5:05 AM
>> Subject: [OM] can your digital do this?
>>
>>
>> > All this digi talk still leaves me with two questions:
>> >
>> > 1. What about good WA and shift lenses for architectural work?
>> >
>> > 2. How about low light and shallow DoF?
>> >
>> > I'm still holding on to my OMs until that day comes...
>> >
>> > Bob
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>> >
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