Dorothée Rapp wrote:
Moose schrieb:
Looks like a pretty complex mix of lighting on the 'interior' shots.
I remember that the E1 somehow uses a mix of preset WB and actual
light - I would think that Auto WB is not the best choice for indoors
with difficult and light sources. Then there is WB bracketing,
finetuning and colour rendition too.
This kind of light situation has always been special for film too. At
least with digital you get some control immediately :)
I agree, that mix would be tough on film as well. That's what I was
trying to point out, that the greenish cast is likely not a failure of
the E-1 WB, but the result of an impossible mixture of light sources. I
think the only complete solution would be to isolate the different areas
in PS and balance them separately.
Moose
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