> Yeah, and what's a pristine 4t and Zuiko 24 shift going to
> set him back precisely???
No, the truly uneconomic (but Zuiko-friendly) solution is to have the 4t +
24 shift, take the back off the 4t and put a bit of suitably semi-opaque
material in at the film plane, mount the Canon digibrick behind the 4t with
a flat field macro on it focussed on the 4t's film plane, and there you go.
(I think)
Perhaps a bit awkward for hand-holding, though.
-- dan
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