Ansel Adams, in "The Negative," writes about using a Wratten #90 "viewing
filter" for doing this.
-- John
At 02:56 3/30/01, Winsor Crosby wrote:
B&W 'seeing' is very different from color 'seeing'. I read somewhere that
cinematographers who are called upon to shoot in b&w often use a dark blue
filter held in front of the eye to get an idea of the gray scale values
and to get a little preview of how photogenic their set up is.
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