Thanks for the suggestion. However I didn't mention that the guy in the
MODERN PHOTOGRAPHY article was suggesting the following: Pick a Skyline
scene and under expose it at twilight. This would allow a visible Cityscape
over which the later (in darkness) fireworks would be exposed in the same
frame. So, he has two different light levels and the Cityscape will be
exposed twice (thus the need for the film to remain unmoved) and the
fireworks once.
There are some real neat examples in the article shot with an OM2. Just food
for thought.
Dave Dougherty
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