In a message dated 6/17/99 2:06:41 AM EST, jlind@xxxxxxxxxxx writes:
<< I think for most multi-spot usage you're right . . .
< snip >
Then I realized it gives a different path to fine-tune exposure under
certain circumstances. There have been times I've wanted all the deep
shadow detail and didn't care about the highlights; other times I've
wanted the reverse . . . and had to hunt around for which spot has the
deepest shadow (or highest highlight). >>
I would say anyone is asking for trouble by doing multi-spots and
then using HILITE or SHADOW to tweak the exposure. I think you're liable
to get unpredictable results, and I think it's an unnecessarily confusing
path to take to get the desired exposure. If you're saying that it's
not easy to master the multi- spot feature, I would say I agree with that,
only to the point where you learn it and practice it enough, then suddenly
there's a point where it becomes "easy" or familiar to you. My opinion
is that it's MORE difficult to learn after what multi spot reading you
should use the HILITE/SHADOW than it is to properly learn the multi-spot
feature itself. It seems one would be adding a further confusing step to
the mix which is redundant, to learning proper multi spot technique. After
all, look at each multi spot reading as a form of exposure compensation in
itself, why add another level of compensation?
George S.
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