ALEXSCIFI@xxxxxxx moved upon the face of the 'Net and spake thusly:
> That was an excellent observation about "Legendary Street photographers".
> I have yet to review the work of the photographers you mention--and will do so
> thoroughly. But did any of them articulate why they shot that way? Was it an
> "all I can see"/documentary approach, or were they avoiding the use of wide
> apertures of early lenses, or was that the esthetic of the times?
>
There's practically a whole episode of the early 80s TV series "The
Photographic Vision" dedicated to Winogrand in action, describing (as
he's shooting) what he's after and why he likes what he sees.
This series is currently screening continuously on the (Oz) ABC as
part of the "Open Learning" scheme---your local cable or educational
network will quite probably show it at some point (or try a public
library).
There's episodes containing interviews with other well known artists,
too. Ansel Adams and Arnold Newman spring to mind...
cjb.
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