Where’s the 6D file so that we can compare too, please?
Amities
Philippe
> Le 22 juin 2018 à 19:07, Ken Norton <ken@xxxxxxxxxxx> a écrit :
>
> Fanboy Jim wrote:
>> Beautiful!
>
> Thank you.
>
> I shot the scene with the E-1 and the 6D. I only brought the 6D along
> because of the curse of the better. You don't want a UFO, Bigfoot and
> Elvis all show up and not have the right camera with you. Anyway, I
> did shoot SOME items with both cameras. Including this picture.
>
> I'm reminded that in "normal" lighting conditions, most every camera
> is going to photograph the scene about the same. But when the lighting
> gets odd, things start to go wonky. The E-1's CCD sensor suddenly goes
> on steroids and you have to say "Whoa Nellie!" and pull back on the
> reigns a bit. The 6D's CMOS sensor is like that farm mule that
> requires a fire to be lit under it and you have to yank on the reigns
> to get it to move. The end result can end up about the same. I may
> publish a comparative of this picture, but to summarize the MAJOR
> processing differences in Lightroom (approximate settings):
>
> Profile:
> E1 - Adobe Standard
> 6D - Adobe Landscape
>
> White Balance:
> E1 - Cloudy
> 6D - Shade
>
> Clarity:
> E1 - +5
> 6D - +20
>
> Saturation:
> E1 - -10
> 6D +10
>
> These are approximate, not exact. And other settings also apply. But
> the point is that the E-1 image needs to be "dumbed down" whereas the
> 6D image needs to be "amped up" to get to a similar result. The choice
> of profile changes everything down the line and the impact on the
> images from different sensors doesn't seem to be linear.
>
> On a side note, I'm finding that I do get better color if I
> underexpose the 6D a little bit. The color shift in the shadows is
> problematic, but if you underexpose, the body of the image will fall
> into that color shift and it makes it easier to correct. It just turns
> into a mush-bucket, though.
>
> Another side note regarding the blue sky. The E-1's blue skies are
> always going to be a bit different than any other camera. You can
> correct some of the shift with HSL adjustments, but the skies skew
> away from the magenta. They always have and it seems to be a specific
> trait of all Kodak CCD sensors as it even shows up in the FF and MF
> sensors. Had I not pulled back the saturation, the sky would have been
> too intense.
>
> AG Schnozz
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