On 1/25/2017 11:13 AM, Jim Nichols wrote:
I spotted this young lady changing out the incandescent bulbs and installing LED bulbs in the Airport Terminal. I
missed the focus on the eyes, but liked the image.
You didn't miss the wonderful smile! (Had you used the X-T1 with an AF lens and
turned facial recognition on . . .)
This is my first attempt at editing an image in Photoshop. I have a lot to
learn.
http://www.gallery.leica-users.org/v/OldNick/P1116952.tif.html
When the Raw file first pops up in ACR, although the interface looks wildly different, with the categories of tools
organized in tabs, rather than drop down menus, all the same sliders and such that you may have been used to in PSE or
LR are there and do the same things.
Basically, you can do any non-local adjustments you could do in LR - before going on into PS. That's not how I work, but
is certainly a valid way to edit; it's how Chuck worked. Adjustments to the Highlight and Shadow sliders are about the
only thing in ACR that can't be done later in PS, and often with more control. WB is also often easier to do in ACR than
later in PS, and those are all I personally do at that point.
Both NeatImage and FocusMagic have plug-ins that allow them to be used within PS, which is far smoother work flow, more
convenient and should allow the EXIF to flow through into the output files.
Application of a bit of FM after downsampling for the web is almost always useful. FM itself only allows whole pixel
radius steps. Sometimes, (maybe often) a setting of '1' is too much, but no sharpening too little. Applied on a
duplicated top layer in PS, the layer Opacity slider may be used for finer adjustment of the sharpening effect.
Layered Moose
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What if the Hokey Pokey *IS* what it's all about?
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