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Re: [OM] Diffraction effects, was: New image with new(in part) gear

Subject: Re: [OM] Diffraction effects, was: New image with new(in part) gear
From: Chuck Norcutt <chucknorcutt@xxxxxxxxxxxxxxxx>
Date: Tue, 2 Feb 2016 19:45:08 -0500
I had to re-read Merklinger's article which I see I first read and saved in 2007. The problem I have with Merklinger's article is that he discredits standard hyperfocal methods (as below) by noting the resolution gains by focusing at distance X vs distance Y. However, he doesn't point out that a 6 fold increase in resolution at distance X is unusable if you're not making a print large enough to call for it.
The whole idea of depth of field and hyperfocal methods is starting from 
a given size circle of confusion which already assumes a maximum print 
size, viewing distance and resolution of the human eye (forgetting the 
Moose, of course).  The point is that, done right from the start, if you 
need a 6 fold increase in resolution that should already have been 
factored into your calculations.  If you don't need that there's no 
reason to sacrifice the resolution at point Y to gain the 6X resolution 
that was never planned for or needed in the first place.
I did note some interesting examples:  For example, he wanted a train 
engine in the foreground to be sharp but also wanted individual stones 
in the train station walls in the near background to be resolved.  That 
was an admirable application of his math and a very good example of 
something you *might* want to do.  But in today's digital world vs the 
film world he was familiar with I would probably just take a couple of 
exposures at different apertures and use the E-M1's 14X magnification to 
see if any of those apertures has solved the problem.
I think he might write a much different book today if it was centered on 
digital photography.  One other thing I had a problem with was talking 
of circles of confusion of 1/200mm.  In the real world, getting 
resolution that high is a lab exercise with a tripod mounted on a 500 
pound block of concrete.  And especially difficult with film since few 
films can resolve that kind of detail.
Chuck Norcutt


On 1/31/2016 10:46 PM, Mike Gordon via olympus wrote:
It clearly depends on the image and the importance of critical
sharpness at different distances.   Recall  from  Merklinger's
article  that by focusing at infinity one gains 6 fold increase in
resolution for distant objects and only loses 2X at the near limit of
DOF.

http://www.trenholm.org/hmmerk/TIAOOFe.pdf           (about page 32)

One easy solution, if circumstances permit, is to focus stack at a
wider aperture and eliminate the  compromise (but introducing
others).

Now I know it is really mid-winter with a diffraction/dof thread,
Mike

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