About bellows scanning:
no raw needed, one can easily take monochrome JPG's and invert these, but
for development, as in dark room operations, RAW is more comfortable, once
the film is known, one can make a preset and the workflow is rather easy.
For the set-up: I use an old 230V slide light table as light source, with
black cardboard cut to size of the opaque window. It is fixed with rubber
bands out of bike tires. For color negatives I also put a blue filter
(flash) in between so the orange color base is neutralized a bit.
I'm still working on they workflow...
Iwert
2014-09-10 12:30 GMT+02:00 philippe.amard <philippe.amard@xxxxxx>:
>
> Le 10 sept. 14 à 10:44, Iwert Bernakiewicz a écrit :
>
> What I would pay for though is a digital film that I could use with my
>> 3Ti, I don't need any fancy controls just for it to do what film did but
>> with the advantage changeable iso
>>
>>
>>> It must be possible soon.
>>>
>>> I hope so with you, but for the moment when i do B&W the ilford 3200
>>> kind)
>>>
>> in the OM-4t I scan it with the 5Dii on OM-Bellows and the results are
>> very
>> much good enough for me. Same goes for Velvia. So there is a bit of extra
>> workflow, but with digital only there would also be raw development?
>>
>>
> 5Dii on OM bellows also requires raw development, or I'm reading your
> "also" wrong?
>
> Amities
> Philippe
>
>
> I don't see the big difference, and I have an analog archive that way as
>> well!
>>
>> Iwert
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>
>
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