Le 16 juin 14 à 19:48, Bob Whitmire a écrit :
Agreed. ACR seems better with Fuji than it used to be, at least with
the X-100s, but they’ve still got a ways to go to get to the level
of support for Canon and Nikon (and Sony? Leica, too, most likely,
but I don’t do red dots). I expect Adobe is in the process of going
all-in with Fuji, though. Fuji stuff is just getting too damn good.
They still don't support the fuji lenses ...
XT-1 on my wish list for the EVF, but I bet the X-T2 will have solved
the issues with that pad unfitted for big and long hands .. so I'm
being patient.
That said, in ACR &LR you (plural, not singular) gotta work them
sliders. It’s like the music mix consoles in Paul’s photos. All
those sliders aren’t there so the operator can hit DEFAULT and turn
out a Emmy-winning track. You gotta know what they are and what they
do and when to move what how many smidges. (Scots, pay attention.
I’m not talking about your insect repellant. <g>) The more better
you get with them sliders, the more better your pitchers is.
Yup!
So much fun on this stage ;-)
Amities
Mac Baguette Philippe
--Bob Whitmire
Certified Non-Grammatical Neanderthal
On Jun 16, 2014, at 1:22 PM, philippe.amard <philippe.amard@xxxxxx>
wrote:
Same here in LR, but not entirely satisfied with the fuji results.
In LR the X10 and X-E1 files are no match to the D700, far from it
in terms of flexibility ...
Oly's I had always found tricky, particularly with the reddish and
orange cast when I try to get light in the shadows.
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