I like the fill light effect and will try to achieve it with software
instead of a folding reflector (which I have somewhere). I could never
carry anything like that around in the mornings. With the chicken feed and
eggs and my coffee, I run out of hands in a hurry. I thought about
cropping it but wanted to leave the old chicken house door in the shot.
Thanks!
Tina
On Sat, Dec 28, 2013 at 6:45 PM, Moose <olymoose@xxxxxxxxx> wrote:
> On 12/28/2013 2:34 PM, Tina Manley wrote:
> > “Waiting for the fish to bite or waiting for wind to fly a kite. Or
> waiting
> > around for Friday night or waiting perhaps for their Uncle Jake or a pot
> to
> > boil or a better break or a string of pearls or a pair of pants or a wig
> > with curls or another chance. Everyone is just waiting.”
> > ― Dr. Seuss <https://www.goodreads.com/author/show/61105.Dr_Seuss>
> >
> > Waiting for a comment on my photo!!
>
> OK. Cute hen, nice pose, but the light from behind her is wrong for more
> than a snapshot. The facial details are hard to
> make out. The surroundings provide context, but a closer shot, or a crop,
> shows her off better, and the context is still
> there.
>
> I've ordered a little folding reflector for fill light in such
> circumstances, but appear to have ordered one that will
> never come. :-)
>
> This may give an idea what I'm talking about. <
> http://www.moosemystic.net/Gallery/Others/Manley/Martha.htm>
>
> Mask transition may be sloppier than usual for me, but maybe only the
> Eagle Eye will notice. :-) Anyway, it's meant as
> commentary or perhaps proof of concept, not a finished product. Working
> from the Raw original, I believe quite a
> convincing job could be done.
>
> P.S. Moose
>
> --
> What if the Hokey Pokey *IS* what it's all about?
> --
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>
--
Tina Manley
http:// <http://tina-manley.artistwebsites.com/>www.tinamanley.com
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