Yes, that's exactly what I thought. Usually, I find something that should
be white or black and use the eye dropper in LR for Auto White Balance. If
that doesn't look right, I try Daylight. On this one, I used the Highlight
and Shadow sliders just a little and de-saturated it by -30.
Thanks!
Tina
On Tue, Jul 9, 2013 at 11:46 AM, Ken Norton <ken@xxxxxxxxxxx> wrote:
> > Yes, I have a light table and loupe and regularly examine my slides that
> > way, but the Kodachromes are still a challenge for me. They have a
> > distinct color balance that seems to look artificial scanned.
>
> Yes, scanning Kodachromes is firmly planted in Dante's seventh circle.
>
> I've finally gotten some settings (never just one) that work pretty
> well for scanning Kodachrome, but I put it in the same category as
> darkroom printing C41 based Kodak B&W films.
>
> The dock photo is mightely screwed up. I wouldn't even know where to
> begin on this one. However, I would love to know how you got there,
> because it has the look of early color plates in National Geographic
> magazines.
>
>
> --
> Ken Norton
> ken@xxxxxxxxxxx
> http://www.zone-10.com
> --
> _________________________________________________________________
> Options: http://lists.thomasclausen.net/mailman/listinfo/olympus
> Archives: http://lists.thomasclausen.net/mailman/private/olympus/
> Themed Olympus Photo Exhibition: http://www.tope.nl/
>
>
>
--
Tina Manley
http://tina-manley.artistwebsites.com
--
_________________________________________________________________
Options: http://lists.thomasclausen.net/mailman/listinfo/olympus
Archives: http://lists.thomasclausen.net/mailman/private/olympus/
Themed Olympus Photo Exhibition: http://www.tope.nl/
|