Gracias! She's not a very tense person, and this wasn't her first time in front
of the camera, but it was her first time trying to get a really good shot for
some of her upcoming publicity. I'll look back through the images and see if I
can see where there's a more natural expression on her face. I've got 200+, and
I've posted only a few, and none of the images she picked for her publicity.
I like the idea of dry-firing for a while. There's definitely a rhythm that
develops in the course of a shoot. Even as a rank novice I could feel things
begin to loosen up as time went on.
The good news is that she's going to do more dancing, etc., for me in the
future, using some of her other costumes and routines. I'm particularly
interested in what contemporary belly dancers call "tribal" dance, which is a
modified belly dance with more interesting costumes. I would have thought it
might be more closely related to Native American stuff (including Native South
American), but it's not. Or it can be, but that's not the point. I'm also
interested in shooting her doing more native Argentinian dance, such as Tango
and Samba. I asked if she had to have a partner for that and she didn't seem to
think so. <g>
--Bob
On Nov 29, 2012, at 11:20 PM, Moose wrote:
> The technical part of these images is wonderful, lighting, movement, and so
> on. The sepia half light one is sneakily
> very good.
>
> What needs to happen is for her to loosen up her face. Whether she's
> naturally tense, nervous in front of the camera,
> tense about creating/holding poses or whatever, her smiles look tight and
> forced, where they would be so much more
> appealing loose and natural.
>
> Makes me understand at least one reason all the movie/TV portrayals of
> fashion photogs taking endless shots while
> getting the models moving endlessly. Maybe it's not about endless variations
> of pose, but about getting them to forget
> to 'pose', and get into their natural body postures and relaxed facial
> expressions.
>
> Somewhere, I read, or maybe saw a video, about a famous portrait photographer
> who dry fired for the first couple of
> 'rolls', because experience had shown him that there was never anything
> worthwhile on them anyway.
>
> Sounds like she is comfortable with you, but perhaps not yet with the camera
> - or with her own body/self in 'public' in
> a way that's new to her?
--
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