On Mon, Aug 20, 2012, at 03:32 PM, philippe.amard wrote:
> Hi Frank, I like what you are showing us a lot, I'm wondering why :-)
I had the same reaction. I certainly enjoyed the compositions. I
wondered about the tonality, though I did not dislike it.
> I was even surprised to see that the Oly metering system kept the shot
> within acceptable limits - my Pana L1 didn't - regarding the
> highlights - when the nikon sometimes went astray even though I had
> set the "super specific nikon developed setting" to preserve shots
> when the light differences exceed the sensor's tolerance ... Go
> figure ...
> Yet, as in your photos, the blacks seem slightly blocked on her E620
> and hard to lighten up - a good comparison can be made on the water of
> the canals, and the hulls I think. cf Your Burano 15, and my
> http://gallery.leica-users.org/d/322950-1/Burano+Colours-0063.jpg
I would like to know what the gradation settings were on both the 620
and the EM-5. Whereas I turned gradation off in my E-3, it is a feature
that seems to make the 620 really excel in capture range. One can
always add contrast ... I do think it probably causes the camera to err
on the side of holding highlights, pushing a trifle to the left.
Joel W.
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