AG writes:
"Well, this discussion of wide-angle primes has me thinking about a
couple of
things. First of all, since I am a hybrid digital and film shooter,
whatever
lenses I have must work well on either system. The OM 35/2.8 tends to
be a
little better for digital than the 35/2 because of the central hot-spot
issue common with the 35/2 lens. However, on film, the 35/2 is almost
always
superior to the lowly 2.8 version."
First I've heard of this hot spot--wonder if that is a similar issue as
the Tam 90 2.5 macro on digital.
Mike
--
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