Very nice Chuck.
Charlie
On Wed, Oct 6, 2010 at 2:31 PM, Chuck Norcutt <chucknorcutt@xxxxxxxxxxxxxxxx
> wrote:
> The wedding dress and veil in question shot by me before the wedding.
> OM5D with Zuiko 24/2.8
>
> <
> http://www.chucknorcutt.com/Wedding%20dress%20&%20veil/img_3172e%20profile_adoramalustre.htm
> >
>
>
> On 10/6/2010 12:49 PM, Ken Norton wrote:
> >>
> >> I haven't seen any of the in-church photos but I've seen the outdoor
> >> stuff which was OK. Except the mother was very distraught in that
> >> certain key photos she had very explicitly requested were never taken.
> >> In particular, there isn't a single photo that shows the bride's full
> >> (and lengthy) train.
> >>
> >
> > What you are describing about the flash usage is EXACTLY what I'm seeing
> > this year. But come to think of it... It's also exactly what I've been
> doing
> > quite a bit of this year too. I like the look, but it has issues--so many
> > issues in fact, that it forces post-production editing on the photos and
> > frequently it, ahem, encourages converting to monochrome.
> >
> > As to missing the bride's train... I'm screwed up on that very thing one
> > time by failing to get one full-length shot. Big mistake. You only make
> that
> > one once.
> >
> > There are two methods I've seen with multiple shooters. One method is
> where
> > each shooter is getting everything, the other method is where one shooter
> > gets the key shots and the second shooter gets the secondary angles and
> > stuff the main shooter is too busy to get. I would never encourage the
> first
> > method because you either get double of everything or you miss something
> > because you are expecting the other shooter to have gotten it.
> >
> > AG
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