Thanks for looking, I should have mentioned that most in not all of the
interior shots have already been tweaked using shadow and highlight
recovery in aperture, I don´t think I can get them much better. The
window light always seen to "burn" out and with the E3 I can't recover
the shadow areas as well as I would like because it gets too noisy. I
have tried neat image but I find it just softens the image too much -
maybe I need to experiment more. If it wasn't for my 7-14 I think I
would have skipped over to the dark side a while ago - most interior
shots were taken with that wonderful lens.
Maybe as AG has been posting film has the latitude to suit this job
better, and I should leave my digital behind, but then how would I take
such a shot, spot meter on the window and then the darkest part?
Thanks Ian
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