> We should probably also mention that the 5D also offers RGB
> histograms
> so you can check each channel to make sure they're not
> clipping. Using
> just the average luminosity you may think you're OK but not
> realize that
> the red channel, for instance, is actually being clipped.
Good point. I've found that "expose to the right" gets me in
trouble with out-of-gamut problems and wierd colorcasts in the
highlights. I understand the theory beyond "E2R" (and it works
beautifully in audio), but it also forces individual
post-process handling of each and every photograph. Fine for
A-R types that don't have much better do to. ;)
Ok, I'm going to respond to the DSLR Rant:
#1. There is no "magic bullet" in cameras. There is little to no
argument that Canon makes outstanding cameras and is 90% of
whatever it is that you'd ever desire. But an honest evaluation
of the remaining 10% is what you have to consider. Can you live
with the faults and foibles in that 10%? Obviously 1/2 of the
camera purchasers out there do.
#2. The E-1 has serious faults. The AF is problematic at times,
but there is no law that states that you must use AF! I just
shot over 1300 photos this week in manual mode. It was not only
enjoyable (yes, I said enjoyable), but my keeper ratio due to
improved timing shot through the roof. I'm actually tempted to
keep the camera in manual focus.
#3. What is your "bread and butter" photograph like? The vast
majority of my photographs are printed no larger than 8x10 with
90% of them being either 5x7 or 8x10. Published photos are
typically 1/4 to 1/8 page size with an occasional full-bleed.
Projected photos are usually downsized to 1024x768 and displayed
up to 20 foot screen size. For ALL of the above uses, ISO 800
in the E-1 is perfectly adequate. If the MAJORITY of your shots
or income is tied to huge enlargements and you are into
seriously high-ISOs, then the E-1 isn't the sharpest knife in
the drawer.
#4. Stop looking at what others are using. Guess what, they are
looking at what you are using too. Why else are people
constantly buying the next greatest thing from Canon or Nikon?
If the 20D was so great, then why is the 30D and the 5D such a
big deal? What about the 5DmIIn? Suddenly, the 5D will become
obsolete and people will wonder how they ever got a good shot
with that crappy camera. Eboy is littered with unwanted D30s,
D60s, 10Ds, 20Ds, D100s, D70s and even E-1s. Every single one
of these cameras was a "must have" and the "magic bullet" to our
photography.
#5. Size is no excuse for poor photographs. This "megaprint"
mode we're in right now is ludicrous. Over the years, I've sold
far more art prints in 5x7 and 8x10 sizes than 11x14s or larger.
If the composition is strong and the subject is interesting and
well-presented, a small print is usually just fine. If we're
really honest with ourselves, we can count on less than one hand
the number of pictures we've taken that truely deserve the
prominant position behind the livingroom sofa.
#6. Grain is not a fault. Bad noise is. I've found that the
noise on the E-1 is remarkably film-grain like--which is NOT a
problem to me. However, over-sharpening, combined with JPEG
compression will turn that nice grain look into some nasty
stuff. 1600 and 3200 are noisy, but yanking the curves back
down and a little bit of NR usually will suffice.
#7. Pick your poison. No camera is perfect and for the
photographer that fancies him/herself an "artist",
post-processing is a necessity. You just need to decide what
type of post-processing you want to do.
#8. Personally, I like the unique "look" that the E-1 gives me.
The tonalities and shadow colors are different than the Canons
and Nikons. With so much "noiseless-sameness" out there, I like
producing things that are different.
#9. The 14-54 lens has proven to be an outstanding workhorse
lens for me. It's a real keeper, but it took me almost an
entire year to figure out HOW to use it to give me the bokeh and
3D-ness that I expect.
AG
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