That was half of it. The other half was that if he had a low contrast
scene with, say, a 5 stop range and his paper had an 8 stop range he
would adjust the development of the film to get a gradation from black
to white. And of course he burned and dodged when zone system wasn't
enough.
Winsor
Long Beach, California, USA
On Feb 22, 2005, at 8:19 PM, Brian Swale wrote:
> If the range of light in a shot went from 2 - 8 in a 0 - 10 maximum
> possible
> range, and the film is capable of only 2 - 6 or 3 - 7 or 6 - 10,
> then you have
> some difficult compromises to decide on.
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