I believe slide has a D-range of over 3.6 or close to 4.0, that is over
3000:1. For DC, the highlight is easily clipped but shadow does not, I
always shoot under and adjust it later. A curve can compress the highlight
(not cut it off), while maintaining the picture a brilliant look the sky
will keep without wash out.
C.H.Ling
----- Original Message -----
From: "Joe Gwinn" <joegwinn@xxxxxxxxxxx>
> I recall from reading film datasheets that most films had a response
> (incoming light) range of 100:1 (6.6 stops), while some managed
> 1000:1 (10 stops). The density range was always around 100:1, maybe
> a little more, and the films with wider response ranges were less
> linear. Tri-X was the standout.
>
> I think the big difference between film and digital sensors is that
> film has a gradual cutoff at the top (highlights) and bottom
> (shadows), while digital sensors tend to have abrupt cutoff at both
> ends, but to be very linear in between. The sharp cutoff is probably
> why exposure is so critical, and overexposure looks bad. In time,
> the march of progress will make the linear part of the range large
> enough that it will no longer matter in practice.
>
> Joe Gwinn
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