Since I ran out of Rodinol a good long time ago, I've just been
developing everything in D-76 1:1. This includes 35mm and 120
Plus-X, Tri-X, Delta 100, T-Max 100, T-Max 400, plus Efke PL100
2x3 sheet film.
Is it time this old dog learned some new tricks? Just so long as
I don't have to sit up and beg or roll over and play dead, I'm
willing to try something new -- if it's worth the learning curve.
I know what to do with D-76. If it were any better, I'd probably
drink it.
Walt
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
A human being has a natural desire to have more of a good thing
than he needs. -- Mark Twain (defining the cause of Zuikoholism a
century ago)
---------- Original Message ----------------------------------
From: AG Schnozz <agschnozz@xxxxxxxxx>
Reply-To: olympus@xxxxxxxxxx
Date: Thu, 22 Jan 2004 08:21:49 -0800 (PST)
--SNIP--
>
>Garth wrote:
>>but for my money, DD-X used with Delta 100 may just be the
>>best ------- developer/film combination in the history of the
>>human race.
>
>Well, I'm gonna say "it depends". I've found that D100/DDX has
>a slight problem with tonal seperations in Zone II-III. Zones
>IV-X are lovely! Grain is another issue too. Let's compare the
>five major films from the Ilford stable:
>
The olympus mailinglist olympus@xxxxxxxxxx
To unsubscribe: mailto:olympus-request@xxxxxxxxxx?subject=unsubscribe
To contact the list admins: mailto:olympusadmins@xxxxxxxxxx?subject="Olympus
List Problem"
|