Fuji Press 1600 for color negative . . . if this is fast enough. It's a
true 1600 film; no push required at rated speed. Not certain I would push
it. A daylight film, it is very forgiving (easily balanced) when used
under tungsten lighting.
Kodak Ektachrome P1600 (EPH) for color transparency . . . if this is fast
enough. Its nominal rating is ISO 400 but it's optimized for push 2
processing. I've used this and latitude/contrast is OK, but it's quite
grainy. A daylight film, it definitely shows color shift under tungsten
stage lighting.
Kodak Ektachrome 320T for color transparency . . . pushed to EI 640, if
this is fast enough. Contrast goes up as does grain and latitude goes
down. Does work very well under tungsten lights. I wouldn't push it
faster than EI 640!
Kodak TMax P3200 (TMZ) and Iford Delta 3200 for B&W negative. Both of
these have nominal ratings of about ISO 800 and like the EPH are
multi-speed optimized for push 2. I've used both of these push 1 at EI
1600 to open up their latitude wider for high contrast situations under
harsh lighting with good results and grain similar to Tri-X at ISO 400. At
EI 3200 their latitude is more normal with slightly coarser grain; I would
strive for flatter lighting at that speed (push 2; EI 3200).
-- John
Hello there..
I am wondering if anyone could share some experience about push
proccessing..
I am just about taking picture in the dimmed stage and flash not allowed.
iso 400 to 3200 or 4800
which film/slide is good for this kind of push
Thanks
Soegi
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