At 10:54 PM 1/29/2003 -0500, you wrote:
There is only a 3Ti. I do not believe there was ever a 3T.
The 4T was the US version of the 4Ti. Towards the end, there were only 4Ti
bodies, in fact, only Black 4Ti bodies.
So, 4T = 4Ti.
Just for the fun of it, here are some further distinctions that may affect
perceived value. (Please correct me if I flub this, my friends.)
The straight 4 is black only. (There was no "chrome" version.)
The US 4T was available in both black and charmpagne. The world 4Ti was also.
Later, when the US-distinct "4T" was dropped and only one version "4Ti" was
made, the champagne version was dropped. So a champagne 4Ti is a world
version, and one of the older 4T/Ti models extant.
So we know then that 4T versions are older than some but not all 4Ti
versions. My perception of the market is that black 4Ti versions are
always valued a little more highly than 4T because they *might* be newer
(even though they might not), and to repreat, we know that a champagne 4Ti
is older because newer versions were simply not made after the US and world
versions united under the 4Ti marque.
If your 4Ti grew up in the US, it probably is newer.
There are differences between what a 4 and 4T/Ti can do (Super FP flash on
4T/Ti only), and my recollection from the technical guys is that there were
incremental improvements (slightly different circuit boards?) along the
development of the 4/4T/4Ti.
That said, I've got a champagne 4T and it's a sweet unit. And a 4 is
probably the best value in a camera for the money in the OM line if you can
live without the super FP flash.
Joel W.
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