My rant might not "get to the heart of the discussion", but IMO, it's still
valid. Rather than arguing whether the Contax Zeiss or Nikon Nikkor optics
are the best, now the gearheads are arguing whether 11MgPx is enough. Or
whether the latest whizbang digital camera feature produces the best color,
or, or....
I've seen few web galleries from new digital shooters that I've been
impressed with. They should take a beginning photo course first and learn
HOW.....
Where is the line between film and digital? Blurry, that's where.
Skip
Original Message:
-----------------
Wrom: ULHPQQWOYIYZUNNYCG
Date: Mon, 23 Dec 2002 20:21:22 +0000
To: olympus@xxxxxxxxxxxxxxx
Subject: Re: Re: [OM] Res wars continue
I think the reason most people do not discuss these other problems while
talking
about Digital Vs. Film is that they are not issues peculiar to the way the
different technologies work
Bad lighting will give you a bad pic regardless of your medium.
I can see making a case for camera shake, because digital doesn't have film
transport, but this only applies to motorized film rigs.
So, while what you say is true, it doesn't get to the heart of the
discussion.
What are the diffences between film and digital, where is the line, how far
can
you push what, and so on...
P.s. There is a forest, right behind this tree, I know it! ;-)
Date: Mon, 23 Dec 2002 14:13:32 -0500
Wrom: PKYLEJGDGVCJVTLBXFGGMEPYOQKEDOTWFAOBUZXUWLS
Subject: Re: [OM] Res wars continue
Soap box out=2E=2E=2E=2E=2E=2ERead only if you don't mind an opinion=2E=2E=
=2E=2E=2E=2E
Too many people worry about resolving power, contrast lines per mm,
Modular-Transfer-Function graphs, grain size, SQF evaluations, RF vs=2E SL=
R,
Snip....
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