I think that the double line OOF is what is most distracting, and
although present in the Nocti, it is much less apparent. When I was
trying out the 50/1.2 I found this to be one of the flaws. I wonder if
the 55/1.2 performs any better for bokeh?
Also, if we are talking bokeh, then there isn't anything smoother than
the 85/2... Ahhh. Here it is right here - always the faithful
companion...
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