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Re: [OM] Question on 20/2 and 38/2.8 macro lenses

Subject: Re: [OM] Question on 20/2 and 38/2.8 macro lenses
From: dreammoose <dreammoose@xxxxxxxxx>
Date: Mon, 29 Jul 2002 19:09:35 -0700
It is not possible with current technology, at least at prices we would/could pay, to design a lens that is acceptably sharp at both 1:40 and 2:1. The conventional Zuiko wide angles are designed for optimum performance in conventional photography from infinity to about 1:6, and probably optimum about 1:40. The short focal length macro lenses are optimized for much different repro ratios, in the case of the 20/2, 4.2:1 through 16:1. Use of just about any conventional lens beyond about 1:2 will give noticeably inferior results.

These are specifically not wide angle lenses (in response to someone else's question). At the reproduction ratios they are designed for, most of the field that would be covered by a conventional WA lens would just end up bouncing around inside the tube(s) or bellows, trying to degrade contrast. Limiting their angle of view to that required to cover a 35mm frame at their closest design distance from the film plane makes it easier to design for optimum performance within their intended repro range.

Your results with the 24/2 on extension tubes is a different thing. The mirror in SLRs limits the depth of lenses. Wide angle lenses on SLRs use reverse retro focus designs that place the rear focal node behind the actual physical lens. Put them on long extensions and you get the kind of odd seeming results you experienced. Short focal length macro lenses are never meant to focus anywhere near infinity, so they don't need special designs to avoid the mirror and their focal points can be designed to be in front of the physical lens even at very long extensions.

There is very little physical or practical similarity between a 20/2 macro and a 21/2 WA and they are meant to do very different things.

Moose

Daniel J. Mitchell wrote:

So presumably this implies the only reason the macro lenses exist is
because they're physically smaller than the equivalent 'full-size' lenses,
so you can get the film plane close enough to the subject without hitting
it? I've tried using the 24/2 on extension tubes, and I found it wound up
with the in-focus point inside the lens.



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