My only addition might be to get a piece of white poster board (foam core
works well) and put it on the other side of the painting. Play with the
angle, starting at about 45 degrees. This should even out the light source.
What I mean is
----------
/ \
Where the left slash is the foam core and the right slash is the window and
the line is the painting. Not sure the diagram will come through right.
Just an idea.
Tom
> > The challenge is: I was ready to shoot this with morning
> > light, near a window. Place the
> > paintings in the vertical plane, and (sorry, no tripod... and
> > no possibility to get one
> > before monday) shoot them with the OM2s with no flash and some
> > Fuji Provia. But I
> > remembered there are dozens of great photographers out there
> > in the zuikoholics
> > anonymous list, I'm sure they'll come out with what I will be
> > doing wrong.
>
> Actually, this is probably one of the best ways to go on this.
> A tripod would be good, but may not be necessary. If you have a
> polorizing filter for the lens, that would help saturate the
> colors a bit better and remove most sunlight reflections in the
> varnish. Otherwise, keep the camera directly squared to the
> painting, make sure both are as parallel as possible and bracket
> (take an exposure 2/3 and -2/3) around the indicated exposure.
>
> AG-Schnozz
>
>
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