I remember recording some artists from WindamHill
(Barbara Higgins & Darrel Anger and some others)
live, and one of the players getting real snooty with me
about how "I'm an acoustic musician, and want that
sound on tape, you little s^*%!" I looked at him, then I looked
at the rack of effects units he had plugged into the transducer
for his instrument and just shrugged...
OTOH, Recording John Hammond Jr. was a joy! Just him, his
guitar and harmonica and 1 SM-58... whoo what a performance!
But still, there's that transducer in the way...
Obligatory OM content: I was between cameras at the time(s) so
none at all...
Bill >; P
(Owner of only "crappy" Zuiks, no stellars and can still take pix)
"Life unfolds on a great sheet called Time (film)*,
and once finished (developed)* is gone(here)* forever..."
*provided ya have a good archival system in place.
Date: Wed, 27 Mar 2002 13:18:33 -0600 (CST)
From: "Barry B. Bean" <bbbean@xxxxxxxxxxxxxx>
Subject: Re: [OM] TOPE: Landscapes
On Wed, 27 Mar 2002 10:15:38 -0800, Winsor Crosby wrote:
>About the only
>place where you can still hear what voices and instruments sound like
>are chamber music and soloists in intimate environments. And
>occasionally jazz groups. So you are mostly just comparing
>electronically manipulated sound environments, especially with pop
>music, and which one of those sounds best is just subjective at best.
How is manipulating the sound of my instrument electronically
different from manipulating it through breath control?
To bring this back on topic - would you differentiate between
cropping and editing in the darkroom and doing the same thing in
photoshop? Ultimately,isn't photography allabout the image you
produce rather than the method used to produce it?
- -
B.B. Bean bbbean@xxxxxxxxxxxxxx
Bean & Bean Cotton Co
http://www.beancotton.com
Peach Orchard, MO
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