Subject: | Re: [OM] TOPE: Landscapes |
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From: | Winsor Crosby <wincros@xxxxxxxxxxxxx> |
Date: | Wed, 27 Mar 2002 10:15:38 -0800 |
In <cd.150f6284.29d2a25d@xxxxxxx>, on 03/26/02 at 11:19 PM, ClassicVW@xxxxxxx said:Are you saying that most performers should sound the same in live concerts as they do on their CDs? If so, that's utterly ridiculous.When it comes to pop music -- of any sort -- all bets regarding veridicality are off. There isn't a spark of "reality" or any attempt to approach same in that arena, unless we're talking about capturing an acoustic instrument in a real space. When the limitations of the reproduction system "train" the listener, he/she is often disappointed that the live concert doesn't sound "as good" as it does at home on a recording. It's Mother Nature's way of getting back at us, I suppose. --------------------------------------------- les clark / edgewater, nj / usa --------------------------------------------- I think that point is well taken. Unfortunately there is very little of what used to be called live music left to train the ear. It is almost all amplified and reproduced through speakers in the concert environment even with classical music and opera. About the only place where you can still hear what voices and instruments sound like are chamber music and soloists in intimate environments. And occasionally jazz groups. So you are mostly just comparing electronically manipulated sound environments, especially with pop music, and which one of those sounds best is just subjective at best. That reminds me of some of the objections to some of the Beatles album reissues which were given the standard reissuance cleanup from the original master tapes and people were disappointed that they did not have that original funky distorted sound which they loved. :-) -- Winsor Crosby Long Beach, California ? < This message was delivered via the Olympus Mailing List > < For questions, mailto:owner-olympus@xxxxxxxxxxxxxxx > < Web Page: http://Zuiko.sls.bc.ca/swright/olympuslist.html > |
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