I don't have a comp. dial in front of me, but you are correct in
assuming that you should make the exposures at least 1 stop "longer"
(1/30 instead of 1/60). In this case the meter would want to stop down
because of all the white. You want to fool it into staying open longer.
Bob
<snip>
I was just out shooting TOPE stuff, and shot a whole lot of shots of
basically large white mountains against large white skies. (
(West)Castle
Mountain, southern Alberta -- pretty much your classic steeps and deeps
hill, lots of fun, _lots_ of snow, though my legs hurt a lot today).
I tried to work out which way to compensate for the fact that the
camera
thinks the whole world is 18 0rey, and after flipping back and forth in
my
mind, I wound up setting everything to +1. I'm not sure if this was
right or
not, so before I put this in for processing, could someone confirm if
this
was correct, or if I'm going to have to hope for sufficient film
latitude?
(reasoning there was:
camera wants to make everything 18 0rey
world is actually white
so the camera's going to try and expose the white into a 18 0rey scene
so the camera's going to try and make the white too dark
so I want to give more light to the film
so I set the exp.comp dial to +, to force longer exposures.
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